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Here is the first draft of our music video to the song U.N.I by Ed Sheeran.
We kept these the same, as it is a powerful close up that fits in well with the lyrics.
We slightly changed this bit, but I prefer how it looks on the video. Instead of having a side shot of the flash back, it was easier and looks better the way we did it, having the camera behind them.
We adapted this as we loved the idea to use jump cuts for beer cans to appear one by one. The room we used to film, the desk was facing a wall and it proved difficult to film him sat at the desk from different angles. We could film the back of his head but we couldn't find an effective way of having the camera facing him, so we couldn't get a good angle of his face and expression.
We improvised by keeping him sat on the bed that he had been on before, and view the pictures on the iPad. The beer cans still built around him, but they were positioned on him and next to him on the bed and I think it creates a comical effect that he has got really drunk!
We managed to make this work exactly, as we think it was such an effective sequence of shots, where he is on the bed writing the song, and this is his way of conveying his feelings- by putting them onto paper! As this is a sensitive, heart-felt song, we think this fits quite well and although he is not the main focus of this scene, it still fits in well. The main focus is the wall behind him, where the images of his girlfriend and memorabilia of things they have done together build up on his wall. We created this in the same way as the beer can scene. It shows the audience just how upset he is by this break up.
The only slight thing changed here is the fact that we chose to focus on one particular image, which was the I love you drawing, which creates continuity in the whole video as it features more than once and is how we signified a time lapse. Similarly to what Ed Sheeran did in his video for
Drunk, we zoomed into the feature wall and then on the main drawing, and once it was in an extreme close up of the image, we cut to a shot of the same drawing in an extreme close up, but it is a scene from when they were together where the drawing originally came from.

As our audience are mainly teens, and constantly on social networking sites and using technology, we decided to feature a tweet, posted by the girl saying how she 'Can't wait for Uni!' As they are not in contact anymore because their relationship is over, this was an effective way of him still being able to know what she is doing and how she is feeling. When he see's this tweet which implies that she doesn't feel too upset about leaving him and everything behind, the audience can relate and sympathise for him.
He then has a moment of 'madness' and in his fury, rips down his wall of photos. It isn't until he sees a photo of her on the floor and 'realises' what he just did, he then phones her to speak to her.
Things we changed
As predicted, when filming day arrived, some of our initial ideas on the story board proved difficult to create in reality. Such as the train station scene. Although this was a good idea, it was a bit difficult to recreate in reality. We could not 'hire out' the train station and therefore had no control over when trains are arriving and leaving, how people would react to being filmed and it was just too ambitious. Instead, we had the boy waiting for the girl about to leave for uni outside her home. It turned out that we liked this better as the audience would be more familiar with the surroundings and can assume they are outside her house, leaving.
We also added in the jump cuts of the drawing in the chorus. This fits in with the similar sketches throughout the video such as the 'I love you' drawing.
Next steps
To make the animated chorus scene look more professional and potentially computerise it instead of the hand drawing.
The lip-syncing scene where he is leaving her a voice mail, needs to be more in time with the music.